MASHROU3 LEILA - مشروع ليلى: May 2010

Monday, May 3, 2010

KOULTOUM KALTHOUM KULTHUM KALSOUM KOLTHOUM

wow - i arrive at work today - carine's on the phone - and no one else is here yet - i guess i am a bit early - 9:40
anyway - i go to my desk, turn on the computer, go to google chrome and woaaaaaahhh - umm kulthum - it's her birthday -

and here goes technology:

Born	Umm Kulthum Ebrahim Elbeltagi Unconfirmed; some time between 1898 and 1904 Tamay Ez-Zahayra, El Senbellawein,Egypt

and that's not all -

Died	February 3, 1975 Cairo, Egypt
Cause of death	renal failure-induced stroke

still - not all - wikipedia tells us funny stories.

Umm Kulthum (Arabic: أم كلثوم‎, born أم كلثوم إبراهيم البلتاجي , Umm Kulthum Ebrahim Elbeltagi; see Kunya; Egyptian Arabic: Om Kalsoum). (circa 1900; February 3, 1975). Various spellings include Om Koultoum, Om Kalthoum, Oumme Kalsoum, and Umm Kolthoum. She was an Egyptian singer, songwriter, and actress. Born in Tamay ez-Zahayra village that belongs to El Senbellawein, she is known as the Star of the East (kawkab el-sharq). More than three decades after her death, she is still recognized as one of the Arab world's most famous and distinguished singers of the 20th century.^[1]

^{ryam idriss just came to work - take that google!}

^bye

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Mashrouʼ Leila is not a bandʼs name. It is not a proper noun per se; Mashrouʼ Leila is Arabic for ʻan overnight projectʼ lusting out a microphone, a violin, a bass, two guitars, drums and keyboards. It started out as a music workshop at the American University of Beirut in 2008, an open platform for students of architecture and design, somewhere to experiment with sounds and make things audible. Haig Papazian, Carl Gerges, Hamed Sinno, Omaya Malaeb, Andre Chedid, Firas Abou Fakher and Ibrahim Badr have enjoyed this sound fetish savoring its façade of nonchalance and feeding on its lack of genre – sustaining their collective as Mashrouʼ Leila, an experiment.

You can hear Leila, cascading melts of masculine vocals only suspended with thrusts of violin, beats and bass – attacked by neurotic melody that means no harm – sometimes tender, even sometimes on pause. Through the music, you can smell where Leila has been, in bed sheets, on sidewalks, jasmines in riﬂes and spilled coffee on dresses as she made you play with aubergines, dancing her dance. Music has constantly been their place to play with things, to match and mis-match, a project.

In the various performances, Mashrouʼ Leila is a constant attempt to taste and produce, more than happy to harvest anyone from the audience as a guest in their encores. They have performed around Lebanon since 2008, playing in various venues in Beirut, taking over supposed public piazzas as well as clubs, pubs, hybrids and the such – they also played in Zahle, Sour, Jounieh, Saida and Deir el Qamar, each of which pushed forward their thinking about how to go about their music, lyrics and performance. It is only when Mashrouʼ Leila goes live, that you can actually catch a glimpse of Leila. As it talks to you of Beirut, the city that tastes of the absurd, the product of its day-to-day experiences, its stubborn security and lack of the latter, its musical bombshells, incoherent sexuality and thrusting pleasure…narcotic pain – as it brings forward hints of Arabic Tarab, rock, to folk pop, electro, you can see Leila in every man and woman in the silent- come-raving audience. In this trajectory, they participated in music workshops and concerts in Amman and Cairo to maneuver their way into a pan-Arab music scene, to know and to announce, more importantly to grow, musically.

In March 2009, Mashrouʼ Leila won the Lebanese Modern Music Contest jury prize and public vote organized by Radio Liban in partnership with CCF, Incognito and the Basement. They are currently recording their debut album with B-root Productions, to be released in December 2009. The music in the album is a reclamation of the aftertaste; sequel-ing a dose of Beirut.

written by Raafat Majzoub